23 August · Sally
Groundspeed or ground speed: “the speed of an airborne aircraft relative to the ground it traverses in a given period of time”. Curated by film-maker Ed Lust groundspeed, City Art’s current exhibition of works by Katrina Lilly, Misma Andrews and Alex Porter, introduces or identifies an element of uncertainty into the landscape as characterised by uncanny but beguiling shifts in place and time.
Wellington photographer Misma Andrews stages an almost theatrical exploration of New Zealand’s wild places in what she describes as the ‘synchronistic collaboration with the unknown’ that occurs when negatives are soaked and burned. Such processes combine an alchemic serendipity – the “happy accident” – with a sense of mythic enchantment associated with the careful positioning of people and animals within these pockets of non-specific wilderness. There is an element of fairytale, make-believe, old stories of the supernatural in these unsettled and poignant images.
After six years working abroad University of Canterbury-trained photographer Katrina Lilly returned to Christchurch in 2011. Her work in this exhibition combines the skill of the photographer with the aesthetic of the painter, using different combinations of aperture and shutter speed, moving the camera or shooting subjects in motion (or – even trickier – doing both at the same time) to evoke the colour, form and texture of the painted surface. The result is a dynamic translation of the sea and landscape into fleeting movement and the strange flexing of light and patterns.
The title of Christchurch film-maker Alex Porter’s short film, N or Nor W, pays homage to New Zealand artist Len Lye and his black and white “public information films”, in particular N or NW (1937) commissioned by the General Post Office of Great Britain. Porter appropriates the title sequence of Lye’s film and his stream of consciousness-styled narrative. Set in 1950s Canterbury, the theme of the nor’wester, steeped in science, pseudo-scientific myth-making and regional identity, is explored from a young girl’s perspective and through her father’s interview broadcast over the wireless. The result is a finely crafted lyrical representation of mid-century rural New Zealand and broadcasting.
Join us in the gallery/workshop as we provide practical solutions for the framing, display, installation of works of art, and information on new exhibitions and events.
- Swan Song
- Nonesuch Gully & The Chorus text
- Transitional Landscapes – Mitchell Bright
- Preaching to the Disconcerted
- Place of Return
- A lingering dark
- de void
- Under the Skin
- Ten and a Half - Christmas exhibition 2016
- Wild Spaniards & Friends
- Blue & Co.
- Dancing to Remember, Dancing to Forget
- A conversation with Shannon Williamson, July 2016
- Continuous Positive
- Null & Void
- Gully and Grove
- All that is Solid Collapses into Air
- Infinite View of Determinate You
- Romancing the Ground
- Shanley 2015
- Painted Red Paintings
- Gaiana - Earth NZAC
- The Naked Truth
- XXV – a group show to celebrate our 25 years in business.
- Waiting for the Blue Train
- Drawing with light
- The power of III
- Best Made Plans
- The Painted John Gibbs
- Between the mundane and the metaphysical
- The 10,000-hour rule.
- Christchurch Central Confidential
- He just wanted my washing machine
- Quick Flip – a game of many halves
- Not all card is created equal
- Talismen of Lyttelton artist Dean Venrooy
- The lost art of albumen photography
- Selected Works by Kathryn Madill
- Call for Proposals 2013
- CHAPTER AND VERSE: CHRISTMAS GROUP SHOW
- Be careful what you wish for….
- Ground Speed
- THE SHAPES I WEAR FOR YOU
- Selected Works by Maree Horner
- Hanging matters
- A Boy’s Story by Beverly Rhodes
- Welcome to www.cityart